Tuesday, August 18, 2015

Brownies

Holly Black and Tony DiTerlizzi's Brownie Thimbletack from their series The Spiderwick Chronicles 



Brownies are one of the most recognized fairies. They come in all shapes and sizes as helpers to families in rural communities.

In Northern England and Scotland, various spellings include Brooney, Browney, Brouney, House Brownie, Little Man, or Browny (also sometimes called Hobs). In Southern England one goes by the name Robin Goodfellow (as accounted by Carol Rose's book, which I mention down below). In Demark the Nis is said to have similar characteristics, as do the Russian Domovoi, the North African Yumboe, and the Chinese Choa Phum Phi.    

Described at an average of twenty inches high, it is unusual to actually 'see' him. On the off chance that they are seen, they can be tiny shriveled old men, furry, naked, turn into roosters at dawn, wear raged brown clothes (sometimes made of course wool) or suits of green or blue, have coal black eyes, wear caps made of felt, or have a tail such as the Lowland Brownie Wag at the Wa' (a grumpy old teetotaler with crooked legs and a long tale, who complains of a constant toothache and considers the pothook over the fire as his favorite spot to hang). Sometimes they have no nose (a common description of Lowland Brownies) only the nostril openings. In Scotland, their hands can be webbed, or have fused fingers apart from the thumb, or have no fingers or toes at all. 

Names attributed to specific Brownies are Aiken Drum, Mieg Moulach / Maggy Moloch, Wag at the Wa', Robin Goodfellow, and Puddlefoot.

In Cornwall, he is the bee keeper, as bees were considered bringers of good luck in old times. 

In Scotland, it was said every home had a Brownie; he would help with the brewing of beers and malts. His reward for a good brew would be a few drops of the best of batch poured into a holed stone known as the Brownie Stone (sounds like the name for a novel *wink, wink*). 

In Wales, his cousin is of the Bwciod (you read that right) or the Bwca or Bwbach (confusing, isn't it?). These little bogeys lean toward the Boggart in nature. They have long noses and dress in Welsh farmers clothes, are just as small as the Brownie, and will help around the farm if in good humor. They despise teetotalers. If his master happens to put him off, his goodness can't be regained and will spiral into a rampage - IE: banging on walls, throwing things, ripping clothes, pinching people, throwing people, telling everyone's inner most secrets out loud, screeching, and beating his former masters. (Look at my Boggarts page for another list of all the nasty things they can do) Retaining some sort of exorcist to sack his grumpy butt will usually do the trick.  

In certain areas, it is believed the Brownie cannot venture into daylight and will die if exposed. Other beliefs say that he simply doesn't like sunlight. Roosters can be considered their familiars, or the shape they change to when daylight comes, allowing them to work in sunlight.       

They love any work to be given when attached to a family. Farm work such as tilling the fields, grinding grain, reaping, cleaning the house and barn, churning butter, etc... They were watchful of other workers and would tell on the lazy and inefficient. They take a dish of the best cream and a new baked cake or loaf of bread (in some other instances it says that they like honey smeared on it too) for payment at the end of the day.

Similar to Dobby of the Harry Potter series, to give them sympathetic gifts such as clothes would drive them away (but instead of tearful thanks, they take offense and leave chaos in their wake. I guess they don't like being pitied?).  

Katharine Briggs' An Encyclopedia of Fairies, Hobgoblins, Brownies, Bogies, and other Supernatural Creatures recounts that the Brownie will usually become attached to a member of the family (this could be used as a Best Friend trope in a novel set in the rural highlands). Also in this version, to give a Brownie a treat specifically would drive it away. Instead, the farmer's wife would leave scraps of food in places it could reach as an offering but never as an explicitly said gift. In her book, it notes that often outside of his master's house he was a feared creature for he could be just as mischievous as he was kind. There were hardly any accounts of a female among the troupe, except for in Scotland where they were sometimes seen in small groups with one girl among them. Katharine notes the tale of Meg Moulach (or Maggy Moloch), or Hairy Meg, who was a girl and a fierce Brownie who would not tolerate abuse of her Brownie family and refused to do the house work without the aid of the other maids or house servants. Brownie Clod was said to be her mate (cross eyed cad with one too many bats in his Belfry).

Often they would hang about streams or ponds. If offended by way of negligence or sympathetic gifting, they would turn into Boggarts and haunt the household until appeased. 

Despite being benign creatures, they are adverse to Christian symbols. In one tale, it speaks of the local minister trying to surprise a Brownie with a baptism, to which the Brownie screamed and never returned. 

In some instances they like collecting things, sitting by the fire, sleeping in the shed, cellar, or attic, and are afraid of cats.

The Dobie is very similar to the Brownie, and wishes very much to be helpful. Note I said wishes, because, most everything he tries to clean or fix usually ends up worse than before he touched it. He is said to have a sweet nature, but not very bright.

These sprightly fellows can fill many different roles for the Paranormal Novel. Be it the Helper, Side Kick, Confidant for its favorite human, or Antagonist (as the Boggart version, or perhaps a wild Brownie not yet fixed to a family).

One of the most recent contemporary examples of this fairy is Thimbletack from the Spiderwick Chronicles. (in fact, you can read more about their definition of the creature here: Spiderwick Wikia)
You can find him in Book One, The Field Guide of Holly Black and Tony DiTerlizzi's series The Spiderwick Chronicles. 


I drew from Katharine Briggs' An Encyclopedia of Fairies, Hobgoblins, Brownies, Bogies, and other Supernatural Creatures, Carol Rose's Spirits, Fairies, Leprechauns, and Goblins, Nancy Arrowsmith and George Moorse's A Field Guide to the Little People, and Edain Mccoy's A Witch's Guide to Faery Folk. 

Boggarts

Boggart drawing from the Spiderwick Chronicles


Evil, nasty creatures, these beings in classic folklore are rarely seen. In the few times that they are, they are usually described as fat, squat little devils.

They wreck havoc in a poltergeist-like manner. In folktales, one instance detailed the haunting of a family. It hid in the cupboard and stole food from the children, tied their bed sheets together, shoved them in tight spaces, and knotted their hair all without showing itself. The children would often tease it by shoving a shoehorn into a hole in the door of its cupboard, to which it would thrust it back. This angered it more and it preceded to escalate its antics. When the family couldn't tolerate it anymore, they tried to leave. A neighbor surprised by their packing, asked why. Before the father of the family could reply, a deep voice replied for him. It was the Boggart making it clear that if the family moved, he would follow. The family gave up and decided to stay.  

Common misdeeds by this creature include opening and closing doors, burning the cooking, pinching babies, trying to smother children, scaring cats, consuming smooth wood (I assume this means anything sanded by humans, IE: tables, chairs, house beams etc... ), rapping on doors and walls, spoiling food, taking food, taking other items such as combs or keys, ruining housework, and many other demonic actions. 

In some tales, Boggarts have been seen as shapeshifters. 
In one folktale, called the Boggart of the Brook, it takes the shape of a woman hooded in a cloak (add some tense music strings and you've got the seemingly harmless beginning of a horror flick). She would stand by the road in the apparent effort to hitchhike. A person naive to the dramatic music and misty surroundings would take pity and open his carriage for her. Once on  board, (duh-duh-duuuh!) she would whip off her hood and reveal her skeletal face, clawing at the driver who would then increase his speed in terror. The ride would usually end in the poor soul's death or injury. (Which is exactly why you don't go travelling on deserted roads and be friendly to creepy people wearing cloaks - unless you're the hero of a Stephen King novel.)

A story which defies the previous, details a Boggart horse who is hardworking, good, and loyal. He even has his own fireplace in the barn. He is the Boggart of Hackensall Hall. 

In many instances, Brownies who have been wronged will turn into Boggarts (such as in the Spiderwick Chronicles). Which begs the question, why in the world would someone ever bother a Brownie? To create a novel antagonist!

He is a malleable character for authors. His broad spectrum of attributes make him available to whatever you want him (or her) to be. Such as, a friend turned evil, a bothersome spirit, or, someone who's not so bad at all. 

I recommend thumbing through the first book of The Spiderwick Chronicles to see Holly Black and Tony DiTerlizzi's take on this classic bogey in the night.


The information gathered I found in Katharine Briggs' book An Encyclopedia of Fairies, Hobgoblins, Brownies, Bogies, and other Supernatural Creatures, and Carol Rose's Spirits, Fairies, Leprechauns, and Goblins.  

Friday, August 14, 2015

Show Vs. Tell



Both have their merits, but which is better?
Often, writers will press Show. Show—Show—Show. But what about Tell? Telling can be just as constructive in getting your point across, maybe more so.
Showing offers the reader a visceral experience, living in the character’s shoes; while Telling allows for metaphors and ideas that may be difficult to express physically. Sometimes, we want to be flowery with our language, and sometimes, we want explosive action and cutting dialog. We want to see that wide-eyed fear in our hero’s gaze or hear his inner thoughts. See the irony, the sacrifice; his analogies on what his story amounts to.
A good story, in my opinion, has balanced both Show and Tell. But, I have also liked stories that are almost all Show or all Tell. There isn’t an unbreakable rule that states you can’t ever Tell. The people that believe in this faulty Show Don't Tell rule may curse your career as a novelist and belittle your efforts (and unleash a hoard of Boggarts to roast your plot bunnies and hogtie your Muse in barbed wire upon breaking this fictional rule).
What matters is how you feel as the author of your story. Show and Tell both contribute to your style as a writer. Do as you see fit. Never let someone shake their finger and admonish your efforts, chide you for stepping outside the norm. Writing is all about discovery, experimentation, and expressing yourself as an artist.
Gothic Romance author Mary Stuart is one great example of balance between Show and Tell. Her allegories are beautiful while her action crackles. I recommend her book The Moonspinners for high action, suspense, and a study in Show and Tell.     

Read up on each approach then pick and choose the aspects that you like. You have a unique voice. Let that voice be heard.
So tell me, how do you feel about it?

Thank you for reading!